Archive for the ‘Life and Career’ Category

Life and Career – Autobiography, Changing Appearance, and Neverland

Thursday, October 15th, 2009

1988–90: Autobiography, Changing Appearance, and Neverland

In 1988, Jackson released his first autobiography, Moon Walk, which took four years to complete and sold 200,000 copies. Jackson wrote about his childhood, The Jackson 5, and the abuse he had suffered. He also wrote about his facial appearance, saying he had had two rhinoplastic surgeries and dimple created in his chin. He attributed much of the change in the structure of his face to puberty, weight loss, a strict vegetarian diet, a change in hair style, and stage lighting. Moon Walk reached the top position on The New York Times best sellers’ list. The musician then released a film called Moonwalker, which featured live footage and music videos that starred Jackson and Joe Pesci. It debuted atop the Billboard Top Music Video Cassette chart, staying there for 22 weeks. It was eventually knocked off the top spot by Michael Jackson: The Legend Continues.
In March 1988, Jackson purchased land near Santa Ynez, California to build Neverland Ranch at a cost of $17 million. He installed Ferris wheels, a menagerie, and a movie theater on the 2,700-acre (11 km2) property. A security staff of 40 patrolled the grounds. In 2003, it was valued at approximately $100 million. In 1989, his annual earnings from album sales, endorsements, and concerts was estimated at $125 million for that year alone. Shortly afterwards, he became the first Westerner to appear in a television ad in the Soviet Union.
His success resulted in his being dubbed the “King of Pop.” The nickname was popularized by Elizabeth Taylor when she presented him with the Soul Train Heritage Award in 1989, proclaiming him “the true king of pop, rock and soul.” President George H. W. Bush presented him with The White House’s special “Artist of the Decade.” From 1985 to 1990, he donated $500,000 to the United Negro College Fund, and all of the profits from his single “Man in the Mirror” went to charity. Jackson’s live rendition of “You Were There” at Sammy Davis Jr.’s 60th birthday celebration received an Emmy nomination.

Life and Career – Appearance, Tabloids, Bad, Autobiography, and Films

Thursday, October 15th, 2009

1986–87: Appearance, Tabloids, Bad, Autobiography, and Films

Jackson’s skin had been a medium-brown color for the entire duration of his youth, but starting in the mid 1980s, it gradually grew paler. The change gained widespread media coverage, including rumors that he was bleaching his skin. According to J. Randy Taraborrelli’s biography, in 1986, Jackson was diagnosed with vitiligo and lupus; the vitiligo partially lightened his skin, and the lupus was in remission; both illnesses made him sensitive to sunlight. (His long-term dermatologist Dr. Arnold Klein confirmed this on Larry King Live, after his death.) The treatments he used for his condition further lightened his skin tone, and, with the application of pancake makeup to even out blotches, he could appear very pale. The structure of his face had also changed: several surgeons speculated that he had undergone multiple nasal surgeries, a forehead lift, thinned lips, and cheekbone surgery.
Jackson lost weight in the early 1980s because of a change in diet and a desire for “a dancer’s body”. Witnesses reported that he was often dizzy and speculated that he was suffering from anorexia nervosa; periods of weight loss would become a recurring problem later in life. Some medical professionals have said he was suffering from body dysmorphic disorder, a psychological condition whereby the sufferer dislikes his appearance and has no concept of how he is viewed by others. Jackson claimed that he had only two rhinoplasties and no other surgery on his face, although at one point he mentioned having a dimple created in his chin.

He became the subject of increasingly sensational reports. In 1986, the tabloids ran a story claiming that Jackson slept in a hyperbaric oxygen chamber to slow the aging process; he was pictured lying down in a glass box. Although the claim was untrue, Jackson had disseminated the fabricated story himself. When Jackson bought a chimpanzee called Bubbles from a laboratory, it was reported as an example of increasing detachment from reality. It was reported that Jackson had offered to buy the bones of Joseph Merrick (the “elephant man”) and although untrue, Jackson did not deny the story. Although initially he saw these stories as publicity, he stopped leaking untruths to the press as they became more sensational, so the media began making up their own stories.
These reports became embedded in the public consciousness, inspiring the nickname “Wacko Jacko,” which Jackson came to despise. Responding to the gossip, Jackson remarked to a reporter:
Why not just tell people I’m an alien from Mars. Tell them I eat live chickens and do a voodoo dance at midnight. They’ll believe anything you say, because you’re a reporter. But if I, Michael Jackson, were to say, “I’m an alien from Mars and I eat live chickens and do a voodoo dance at midnight,” people would say, “Oh, man, that Michael Jackson is nuts. He’s cracked up. You can’t believe a damn word that comes out of his mouth.”

Jackson starred in the 3-D film Captain EO, directed by Francis Ford Coppola. It was the most expensive film produced on a per-minute basis at the time, and was later hosted in Disney theme parks. Disneyland featured the film in its Tomorrowland area for nearly 11 years, while Walt Disney World screened the film in its Epcot theme park from 1986 to 1994. With the industry expecting another major hit, Jackson’s first album in five years, Bad (1987), was highly anticipated. It had lower sales than Thriller, but was still a substantial commercial success, spawning seven hit singles in the U.S., five of which (“I Just Can’t Stop Loving You”, “Bad”, “The Way You Make Me Feel”, “Man in the Mirror” and “Dirty Diana”) reached number one on the Billboard Hot 100 charts, more than any other album. As of 2008, the album had sold 30 million copies worldwide.
In 1987, Jackson disassociated himself from the Jehovah’s Witnesses, in response to their disapproval of the Thriller video. The Bad World Tour began on September 12 that year, finishing on January 14, 1989. In Japan alone, the tour had 14 sellouts and drew 570,000 people, nearly tripling the previous record of 200,000 in a single tour. He broke a Guinness World Record when 504,000 people attended seven sold-out shows at Wembley Stadium. He performed a total of 123 concerts to an audience of 4.4 million people, and gained a further Guinness World Record when the tour grossed him $125 million. During the trip he invited underprivileged children to watch for free, and gave donations to hospitals, orphanages, and other charities.

Life and Career – “We Are the World” and Business Career

Thursday, October 15th, 2009

1984–85: Pepsi, “We Are the World” and Business Career

On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi Cola commercial, overseen by executive Philip Dusenberry, at the Shrine Auditorium in Los Angeles. In front of a full house of fans during a simulated concert, pyrotechnics accidentally set Jackson’s hair on fire. He suffered second-degree burns to his scalp. Jackson underwent treatment to hide the scars on his scalp, and he also had his third rhinoplasty shortly thereafter. Pepsi settled out of court, and Jackson donated his $1.5 million settlement to the Brotman Medical Center in Culver City, California, which now has a “Michael Jackson Burn Center” in honor of his donation.

On May 14, 1984, Jackson was invited to the White House to receive an award from President Ronald Reagan for his support of charities that helped people overcome alcohol and drug abuse. Jackson won eight awards during the Grammys that year.
Unlike later albums, Thriller did not have an official tour to promote it, but the 1984 Victory Tour, headlined by The Jacksons, showcased much of Jackson’s new solo material to more than two million Americans. He donated his $5 million share from the Victory Tour to charity. He also co-wrote the charity single “We Are the World” in 1985 with Lionel Richie, which was released worldwide to aid the poor in the U.S. and Africa. It became one of the best-selling singles of all time, with nearly 20 million copies sold and millions of dollars donated to famine relief.
In 1985, ATV Music, a music publishing company owning thousands of music copyrights, including the Northern Songs catalogue that contained the majority of the Lennon/McCartney compositions recorded by The Beatles, was put up for sale. Jackson had become interested in owning music catalogs after working with Paul McCartney in the early 1980s: Jackson had learned McCartney made approximately $40 million a year from other people’s songs. McCartney’s attorney assured Jackson’s attorney that McCartney was not interested in bidding on ATV: McCartney reportedly said “It’s too pricey”. However, McCartney later changed his mind and tried to persuade John Lennon’s widow Yoko Ono to join him in a joint bid. Ono declined, and McCartney pulled out. Jackson eventually beat the rest of the competition in negotiations that lasted 10 months, purchasing the catalog for $47.5 million.

Life and Career – Thriller and Motown 25

Thursday, October 15th, 2009

1982–83: Thriller and Motown 25

In 1982, Jackson contributed the song “Someone In the Dark” to the storybook for the film E.T. the Extra-Terrestrial; the record won a Grammy for Best Album for Children. That same year Jackson issued his second Epic album, Thriller, which became the most commercially successful album of all time. The album remained in the top 10 of the Billboard 200 for 80 consecutive weeks and 37 of those weeks at the peak position. It was the first album to have seven Billboard Hot 100 top 10 singles, including “Billie Jean”, “Beat It,” and “Wanna Be Startin’ Somethin’.” Thriller was certified for 28 million shipments by the RIAA, giving it Double Diamond status in the United States. It was, and currently remains, the best-selling album of all time, with 110 million copies worldwide. Jackson’s attorney John Branca noted that Jackson had the highest royalty rate in the music industry at that point: approximately $2 for every album sold. He was also making record-breaking profits from sales of CDs and The Making of Michael Jackson’s Thriller, a documentary produced by Jackson and John Landis. Funded by MTV, the documentary sold over 350,000 copies in a few months. The era saw the arrival of novelties like dolls modeled after Michael Jackson, which appeared in stores in May 1984 at a price of $12. Biographer J. Randy Taraborrelli writes that, “Thriller stopped selling like a leisure item — like a magazine, a toy, tickets to a hit movie — and started selling like a household staple.”

Jackson debuts the moonwalk during his performance on Motown 25
Time described Jackson’s influence at that point as “Star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too”.[25] The New York Times wrote that, “in the world of pop music, there is Michael Jackson and there is everybody else”.
Jackson’s popularity would soar further. On March 25, 1983, he performed live on the Motown 25: Yesterday, Today, Forever television special, both with The Jackson 5 and on his own singing “Billie Jean”. Wearing a distinctive sequined glove, he debuted his signature dance move, the moonwalk, which former Soul Train dancer and Shalamar member, Jeffrey Daniel had taught him 3 years before. His performances during the event were seen by 47 million viewers, and drew comparisons to Elvis Presley’s and the The Beatles’ appearances on The Ed Sullivan Show. Anna Kisselgoff of the The New York Times said, “The moonwalk that he made famous is an apt metaphor for his dance style. How does he do it? As a technician, he is a great illusionist, a genuine mime. His ability to keep one leg straight as he glides while the other bends and seems to walk requires perfect timing. Ian Inglis, author of Performance and popular music: history, place and time (2006) noted Jackson had created a pivotal turning point in the history of popular music “in that [his performance] marked the shift of emphasis from musical performance to visual presentation. In stark contrast to other, live, performances of Motown 25, Jackson performed to a pre-recorded soundtrack, lip-syncing to his multi-layered pre-recorded voice, thus indicating that the visual reenactment of music video imagery had become and integral, and perhaps dominant, part of live performance. From this performance emerged the origin of music video as the primary source through which artists promote popular music.